Human Landscapes From My Country By Nazim Hikmet, `technology Vs. Nature`

[Name of Writer][Name of Professor][Course Title][Date] valet de chambre Landscapes from My Country by Nazim Hikmet , Technology vs NatureIntroductionIn the Epic impertinent , compassionate Landscapes from My Country , Nazim Hikmet handlingd the comparison between railway locomotive room and tempera workforcet very much . The imagery of engineering that is demoed in this novel awaits to clash with nature Through the use of legion(predicate) dissimilar images such as the train and plane Hikmet calculates to demonstrate engine room as the antagonist of nature . These imageries betoken how applied science would destroy and would annihilate nature with its environment as technology progresses . However , after(prenominal) a ambient reading into the novel , Hikmet actually suggest that technology as a dogmatic aspe ct that will ultimately repair gayity lives . perchance sacrifices and mistakes argon prerequisite as these ar cancel occurrences that ar expected to happen as technology progresses . Although the embody of technology whitethorn calculate to be dreadful , it is a necessary step for the ruin future of humane livesLiteratureContemporary chronicle on a panoramic scale is taken up in Human Landscapes , which was written during the author s prison age exclusively was only published several years after his termilanded estate . Beginning with the project for an epic study of Turkish hi composition during the ordinal century , at intervals the poet s news report also turns to major(ip)(ip) notwithstandingts in adjoining regions , nonably naval action of blood War II in the Mediterranean and the work of Soviet forces against Nazi invaders . His commentary on the Turkish War of pass (1919-1922 ) stands in stark contrast to the heroic internal themes repeatedly invok ed by other of that period . In Hikmet s he! ap , it would seem that the tribe as a self-colored contri onlyed to final delight only only through an inchoate mass boost that did not also lead to a social whirling . Indeed , many passages suggest that class differences remained acute except were altered by Turkey s changed status in the valet prudence . on that point argon a number of give instruction sketches of individual lives , both from the rich and from the lower s , very much to state unpleasant truths nearly(predicate) the people s living billet . nigh characters , it is recorded , died of disease at early ages furthermostmers carry their earthly concern but lost all means of doing . Many of the personages ar war veterans from adept conflict or another . There is much attention to dates , but not in the find of commemorating events with patriotic connotations important occurrences in individual lives are accorded the same emphasis as major developments in the nation s historyThere is also a fa ir fall of random , obviously senseless violence Family quarrels lead to slaughter after a man kills his wife , children use the ext halt as a ball in a black game . A wrenching , gripping scene records the lynch of a Turk who had collaborated with the British occupation forces . There are round sardonic sacred references which call to mind folk superstitions in whatever by and by passages , Turks of a pro-German inclination speculate about whether Adolph Hitler could be a Muslim . Leading Turkish statesmen and thinkers icon as portraits on the walls of business offices the memories associated with them are quirky bits of passage that are far from flatteringThe work as a whole darts about and circumambulates historical epochs as they affected different , indeed opponent , social classes . afterwards nearly xv years of national independence , homeless and desperately hungry(p) men are to be frame outside a news office if wealthy businessmen cannot turn a profit in some branches of the export trade , because of presidenti! al term restrictions , they move promptly to other sectors where their fortunes can be increase . Some of them end up dealing with both the affiliate and the Axis billets during mankind War II . The incidence of felo-de-se on either side of the class divide is slightly high among the reprehensible childbirth is difficult , painful , and sometimes ends in calamity Although this exercise in historical realness , based on the author s own observations of Turkish sustenance , does not seem to hold out any straightaway hopes for a conk out future , the poet s s of nature and straightforward joys serve to erect an otherwise grim and unsentimental saga (Des Pres 7-25Written in free euphony and employing such cinematographic techniques as flashbacks , pans , zooms , dissolves , and jump cuts , Human Landscapes from My Country combines the economy of poetry with the rapid-fire imagery of motion pictures . Hikmet traces the fortunes of men and women in making cognize and wa r -- from prostitutes , politicians , and captains of industry to housewives , governmental prisoners , and peasants -- and gives phonate to social strata unheard from in a heroic context of use until the twentieth century . To Hikmet , every behavior is a human-interest story worthy telling and his is a cast of hundreds .

This panoramic view of Turkish society during World War II , when the depute of the mankind hung in the balance highlights the compelling variety of human produce , never letting us forget that , for break-dance or worse , the fate of the world is in our handsHikmet s unembarrassed commun istic politics , for which he languished in prison or! transport most of his adult life , are reflected in vignettes of see Ivans of soldierly valor and of real-life heroes Tanya the teenaged Russian new and the Nazi-martyred diarist Gabriel Peri Still , the poet s most profound sympathies lie with the poor man striving to sustain himself and his family in pursuit of a flutter happiness . Living out prolonged parturiency for political activities dreaming of his wife and child as cecity threatens and old age buy the farm years , unbowed Halil recalls the poet s own power , a cynosure of what an entire culture was forced to endure . finally Hikmet s art suggests spaciousness , a grandeur in the deep down information of poor people seeking just to take a breather spell events portend an invidious recurrence of suffering for love , rivalry , misfortune--for living . Finally available complete in side , Hikmet s hauntingly eloquent masterpiece never flagsHuman civilization and technology has heavy(p) in a fast pace but are we happy ? Hikmet said that he feels life is more(prenominal) at rest . Nobody said that life has become happier . We found that technology which has been developed to sustain life easier has in concomitant do life complicated and busier . He said that hostile the away , now he can travel from conduct to fructify in few minutes /hours but life has become busier . Communication has improved , technology has taken place in our lives but effective communication between people has decrease . We were all alarmed to face this fact that better technology doesn t mean happiness . So is technology , sooner of liberating us , holding us backSome later segments of this work are basically similar to portions of The Moscow Symphony and Other Poems , an visionary melodic reconstruction of German-Soviet fighting which in the startle exemplify was in all likelihood based upon news stories that Hikmet reliable in prison . After allowance for the different languages , it may be arg ued that some passages would do credit to a Soviet wa! rtime poet : the anxiety of the war s first year , the vast human drama of armies locked in rubbish , and the camaraderie of soldiers brought together in common struggle are evoked in rattling , telling linesThis novel in verse , written during one long prison reprove in the 1940s , reflects the ablaze and physical torments the poet experienced . more gritty than lyrical , it is powerfully plainspoken But Selim was no Communist / He didn t even know what communism was .But the cops theme different / They rigid Selim on the floor . And when Selim got up / he couldn t step on his feet / They laid Selim on the floor / And when Selim got up / he couldn t see Hikmet s report is poetry under siege , and the blunt heroism of his characters makes them more Marxist ideals than believable human beings . The poetic element may not survive easily in translation , but the content and context make this a lastingly matter to workWorks CitedDes Pres , Terrence . Poetry and Politics : T he pillow slip of Nazim Hikmet Parnassus : Poetry in Review 6 , no . 2 (1978 : 7-25Writer s Name rapscallion 1 ...If you want to get a full essay, edict it on our website: BestEssayCheap.com

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